Fding Horn Gramophone Art Disc Music Up Case Home Decor
Another couple might take given up, but non Craig and Linda Fiebig. After a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new house on the same holding.
"If I hadn't had three kids at the fourth dimension, I would have chosen a loft downtown," says Linda, now a stay-at-home mother of 4. With that urban archetype in mind, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to pattern a colorful gimmicky house that could conform the couple's burgeoning fine art collection and the demands of a growing family.
Perched on a rambling corner lot just minutes from downtown, the new domicile consists of two parallel boxes linked by a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in carmine Cor-Ten steel, while living spaces reside inside a cedar block fix atop a glass plinth. "Nosotros used different materials to lawmaking the public and private spaces and to come across Linda's desire for color and variety," says design principal Tim Carlander, who collaborated on the projection with his firm's managing partner, Nib Vandeventer, and SBI Construction.
The home's artistic aspirations are evident from the entry, where storefront windows frame a compelling canvass past Chinese American artist Hung Liu. To the left sits Linda's part, an ocher command center with expansive glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the house into public and private realms. "This house is laid out very functionally," Linda says. "In that location's no wasted infinite."
Steel armatures frame the living area and support the 2nd floor, freeing the surrounding curtain wall to embrace the sylvan setting (the landscape architect was Portland'south Samuel Williamson). Drinking glass doors open onto a pair of terraces and the lawn beyond, inviting an like shooting fish in a barrel indoor-outdoor catamenia that'south ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there'due south nowhere for guests to linger.
Linda kept her color cravings in bank check when information technology came time to decorate. "I really had to fight my impulses, because I didn't want to steal the thunder from the architecture or the fine art," she says. The living room (furnished by Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a red Tai Ping carpet. A ruddy zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. Past limiting the accents to a single hue, Skelton was able to satisfy the owner's desire for color without upstaging the environment.
Artwork adorns every wall, making the pieces more outgoing but also more vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, thirteen, Ingrid, 11, and Rhys, v. "There's going to be a certain rate of attrition, and you only deal with information technology," shrugs Craig, an IT marketing manager. "The two of u.s.a. have damaged more fine art than the kids have," Linda confesses.
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Linda, a Midwesterner by birth, asked for plenty of lite to gainsay Seattle's often gloomy conditions. The architects obliged, lining the atrium's walls and ceiling with a well-nigh unbroken band of windows. Even the atrium flooring is drinking glass, so light tin illuminate the basement during the 24-hour interval.
Glass bridges span the void to a higher place, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to go to the master bath, Linda and Craig don't seem to mind. "My hubby gets upwardly at five in the morning time, so while he's getting ready, I can still be over in the bedroom sleeping," Linda says.
Attributable to a variety of unforeseen circumstances, the house took six years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attending a party i evening, Craig raved about one of his host's paintings, only to exist reminded that the slice was his.) When they were finally reunited with their fine art, Linda was overcome. "Information technology was like a kid coming dwelling from college," she says.
All those years of planning paid off, though. Lite and greenery greet the Fiebigs at every turn, enshrining family and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People ofttimes inquire united states of america what we would modify. We're still hard-pressed to come up with an answer."
What the Pros Know
The living room fireplace and Linda's office look as though they're covered in Venetian plaster, just the material is actually Milestone, a hybridized Portland cement developed in the 1980s past Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and most impervious to cracking and fading. The fabric adheres to almost any surface, so it'due south ideal for walls, floors, countertops and showers, and it accepts the same universal tints used at paint stores, pregnant that color choices are infinite. The cost depends on the projection simply is comparable to quality tile or stone. Milestone can be purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide instruction to experienced do-it-yourselfers. "It's a fairly forgiving medium," Latimer says. "If yous take a failure, it'll exist creative, not structural."
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